🔥 Epiphone Casino Reissue Review | Cabaret Macabre

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The Epiphone Casino 50th Anniversary Reissue: My guitar is number in the series of units ever made of this particular model.


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In the following video, Guitar World's Paul Riario reviews the Epiphone '61 Reissue Casino 50th Anniversary, an accurate reproduction down to.


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Ive narrowed my casino to these two choices, the Epiphone casino Elitist, or the Casino reissue, only reason im considering the is.


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Epiphone '61 Casino Reissue owners. My alternate is the Elitist Casino. Did you have a coupon or something that got it to that price?


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Epiphone Casino Review

The Casino sports premium electronics—two U. In this capacity, the Casino would make an ideal couch-sitting guitar. My test Casino had a surpassingly good unplugged tone—every bit as resonant as its older Gibson counterpart and even a bit louder. We also see the inclusion of parallelogram-shaped block inlays placed neatly into the rosewood fretboard, as seen on original Casinos of that period. Alongside this, the middle and neck positions offer open and expressive jazz and blues-rhythm tones that some of the greats, such as Grant Green for example, built their careers on. The upgraded fittings include two Gibson USA P pickups with dog-ear, nickel-plated covers and a Switchcraft-made three-way toggle switch and output jack. A nickel-covered trapeze-style tailpiece, as seen on the ES, and a twin-pillar-mounted tune-o-matic bridge complete the hardware. But it also incorporates some thoughtful upgrades for the modern player, like larger fretwire, precise Grover tuning machines, and a second strap button, right below the neck heel. My review model weighed in at roughly 6. Nonetheless, the Elitist Casino hangs very comfortably from a strap or positioned on the lap. Contemporary players such as Paul Weller and Noel Gallagher have also become synonymous with Epiphone semis but, as we know, their inspiration draws directly from The Beatles and The Rolling Stones. With its medium-size profile, the neck feels solid and reassuring, unlike the pencil-sized necks found on some Sixties originals. With the volume lowered and the neck pickup selected, I was able to coax from the guitar a thick and silky tone similar to that associated with jazz guitarist Grant Green and his ES It sounds as good as a year-old original but feels and plays a bit better, exactly as a modern guitar should. The guitar is so loud, in fact, that when linked to a Fender Pro Junior, its acoustic sound overwhelmed the amplified signal until the Junior was turned up to three or more. Post to Cancel. Like the ES, it has a throaty, articulate midrange and more than a little warmth. The slim-taper neck, with its medium gauge fretwire and a mm inch radius makes for a very comfortable feel and low-playing action. The new Casino sports all of the basic features of the original: a double-cutaway, five-ply laminated maple body with twin f-holes, a set-in solid mahogany neck, and a duo of P pickups with nickel-plated covers. The American pickups sound notably different to those on the standard Casino, letting the natural acoustic and percussive resonance shine through, bolstering the character and charm of the hollow design. The bridge P is both angular and sprightly, and does those cutting BB King-style solos with seeming aplomb. By continuing to use this website, you agree to their use.{/INSERTKEYS}{/PARAGRAPH} The Casino also has a versatile voice. In keeping with the original, the fret neck joins the body at the 16th fret, which is three further back than a centre-blocked ES and one further than our Chinese-made standard Casino. On account of its thin, hollow build, the Casino is a lightweight guitar. The key to the Beatles tone is in the volume control. The rich, traditional sunburst also available in natural was free from imperfections and—although polyurethane instead of the vintage-correct nitrocellulose—managed to lend a handsomely old-school vibe to the guitar. Great care appeared to have been taken in grinding and polishing the 22 medium-jumbo frets and in cutting string slots on the Tune-o-matic-style bridge saddles and on the bone nut. It would have been a nice touch if Epiphone had used the narrow neck binding found on vintage Casinos, which is a little more refined than that on the reissue. {PARAGRAPH}{INSERTKEYS}In , the East Coast—based company finally threw in the towel and sold its bass line, and the right to manufacture under the Epiphone name, to Gibson. The craftsmanship on my Casino was boutique level. So Gibson, which tightly controlled the distribution of its instruments to avoid competition between local dealers, came up with a smart workaround: it slapped the Epiphone logo and ornamentation on what were essentially Gibson models and used them to provide stock to retailers previously denied Gibson products.